The Venus of Quinipily, Brittany

Nestling in a quiet valley in the middle of rural Brittany can be found the romantic ruins of the chateau of Quinipily, an ancient fortress now reduced to just a few sturdy walls and terraces. Today the remains of the castle have been transformed into pretty gardens which are open to visitors throughout the year.

The colourful gardens of Quinipily, Brittany

It’s not the flowers that attract visitors to this place, however, because it is far better known for its strange statue, a monumental figure of indefinite age now known as the Venus of Quinipily. The 2.2 metre tall Venus stands at the centre of the terraced garden, staring out at the surrounding landscape from her position atop a huge fountain.

The Venus of Quinipily, Brittany

Until the seventeenth century both the Venus and the huge stone trough that is now situated below her stood in the Breton village of Bieuzy-les-Eaux, on the site of an ancient Gaulish city. Also known by the villagers as Ar Groareg Houar (the Iron Lady) and Groah Hoart (The Old Guardian), the statue was worshipped by the locals, who believed it to have magical curative powers. Pregnant women would visit the Venus, and later bathe in the trough (which can apparently hold up to 3600 litres of water) after giving birth. It was also thought that the figure could help boost fertility, and it is said that some couple indulged in some rather naughty practises beneath the statue. Finally the bishop of nearby Vannes decided to bring an end to such pagan rituals, and in 1661 he had the Venus thrown into the river. Before long, the locals fished her out, and resumed their old religious rites.

The huge stone water trough at Quinipily

In 1670 the statue was attacked and thrown once again into the watery depths. At this point local gentleman Pierre de Lannion stepped in to save the Venus, and shipped her off to his castle at Quinipily, where she has stood ever since. He faced opposition from the Duke of Rohan, who claimed ownership of the statue, but after a long legal battle Lannion won the case and was allowed to keep her.

The monumental form of the Venus of Quinipily

The true age and purpose of the Venus of Quinipily have stirred up debate for centuries. Some have suggested that she may be a representation of Isis first erected by Romans who had settled in the region. Another theory is that she is in fact a Gallic goddess, or perhaps Roman mother goddess Cybele. Some sceptics have proposed that this statue is not ancient at all, but a later copy made when the original statue was destroyed in the seventeenth century.

After such a checkered past, the Venus must relieved to have finally found a safe home in the beautiful gardens of Quinipily. Here she is surrounded by huge old trees which have grown up amongst the fragments of castle wall, and althought the spring which fed her fountain has now dried up, the former ponds and cascades are now a mass of foliage and flowers, a bit wild and overgrown, but wonderfully atmospheric. I said earlier that she attracts visitors to Quinipily, but on the day that I visited there was noone else around, and I was able to enjoy the magical ambience of this intriguing place in peace and quiet, a unique experience in an unforgettable place.

The overgrown ponds in the gardens at Quinipily

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The Valley of Saint-Clair, Morbihan

The Chapel of Saint-Clair nestles in a quiet valley just outside the Breton village of Limerzel. This is a tranquil part of the world, one that the rapid developments of the late 20^th Century have largely passed by. As a result, a visit to this valley, with its collection of fascinating ancient monuments, is rather like stepping back in time.

The path into the Valley of Saint Clair

The path towards the chapel begins in a stretch of shady trees. There is a picnic table here for any passing tourists, although this is not the kind of place that attracts lots of visitors, just the odd dog walker from the village or maybe a passing farmer on his tractor. Walk a bit further down and you will find the first curiosity on this short journey, namely the Fountain of Saint-Clair.

The fountain of St Clair

Large scale holy fountains like this were once common in Brittany, and a number of them survive to this day, but few are as decorative as this beautiful example. Saint Clair himself can be seen carved in polychrome relief below the elaborate canopy. The first bishop of nearby Nantes, Saint Clair was responsible for bringing Christianity to the region in the late 3^rd Century. In the past, his fountain has been attributed with healing powers, particularly for those suffering from maladies of the eyes, although the mossy, leaf-filled pool which lies at the heart of the fountain doesn’t inspire much hope for modern miracle seekers.

Follow the path a bit further and you will emerge out of the trees; take a sharp right turn and you will discover the next point of interest – the Cross of Saint-Clair. Like many of the crosses which dot the landscape in this area, the carving on this monument is provincial and naive, while centuries of erosion has erased much of the fine detail. The base is dated 1818, although the obvious age of the cross itself suggests that this date relates to a later restoration rather than its original construction.

The cross of Saint Clair

By now the chapel itself can be seen nearby. It is just a short walk across a babbling stream to the final destination of this magical pilgramage, a simple building which dates from the 15^th/16^th Century and was sympathetically restored during the 1800s. Nowadays the chapel is almost always locked, but a small grille in the door allows visitors a view into the sombre interior, its religious statues and austere furniture bathed in the golden light from the small stained glass windows.

The chapel of St Clair

Every year on the 15^th September the locals celebrate the Pardon of Saint Clair, during which a procession makes its way from the fountain, which is temporarily festooned with colourful flowers, to the chapel. After the procession everyone indulges in a communal meal to commemorate the Saint’s day. But for the other 364 days of the year the chapel remains peaceful and largely forgotten in this secluded valley, a place which still remains a magical haven far from the noise and bustle of modern life.

The gloomy interior of the chapel of St Clair