Archive for the Cemetery Category

A Magical Doorway, Stow-on-the-Wold

Posted in Cemetery, Church, Cotswolds, Door, History with tags , , , , , , , , on September 30, 2014 by mysearchformagic

I’ve just spent a magical weekend in the beautiful Cotswolds. It’s the first time that I have had the chance to properly explore the area, and I certainly wasn’t disappointed. With its rolling landscape dotted with ancient oaks, rambling hedgerows and pretty cottages, it is hard not to fall for this peaceful part of rural England, a place which seems to have changed little over the centuries.

My first encounter with magic was in the churchyard of Stow-on-the Wold’s historic St Edward’s church. This doorway, flanked by ancient trees which almost seem to have grown in to the fabric of the building, caught my eye.

A magical doorway into the church of St Edward's, Stow-on-the-Wold

A magical doorway into the church of St Edward’s, Stow-on-the-Wold

There will be much more to come from my adventures in the Cotswolds over the coming weeks. But with so many magical tales to tell, my only problem is which one to choose next…


Greyfriars Kirkyard, Edinburgh

Posted in Cemetery, Church, Edinburgh, Ghosts, History, Sculpture with tags , , , , , , , , , , , , , , on May 18, 2014 by mysearchformagic

If there is one place you can be pretty sure of finding magic, it is in an old graveyard, and my visit to Greyfriar’s Kirkyard in Edinburgh this week certainly didn’t disappoint. The graveyard is situated on the edge of the city’s Old Town, and has been in use since the 16th Century, so there are lots of wonderful old tombs and carved stones to look at.

A packed corner of Greyfriars Kirkyard

A packed corner of Greyfriars Kirkyard

As I wandered around the graveyard, I noticed skulls and skeletons everywhere. A rather lively looking dancing skeleton welcomes you as you enter, and many of the tombs are decorated with carved Memento Mori, suitably macabre reminders of our own mortality.

A Dancing Skeleton near the entrance to Greyfriars Kirkyard

A Dancing Skeleton near the entrance to Greyfriars Kirkyard

As well as being the last resting place of many of Scotland’s most prestigious citizens, the Kirkyard has also witnessed some dramatic events over the years. In 1679 over a thousand Covenanters, Scottish Christians who were battling for a new style of worship and church organisation, were kept prisoner in a corner of the graveyard. They were left out of doors for over four months, surviving on scraps of bread and any extra food which kindly locals were able to sneak in to them. Not surprisingly many died, and more were later executed, and the melancholy spot now bears a memorial to those who lost their lives in this atrocity.

The Covenater's Prison, Greyfriars Kirkyard

The Covenaters’ Prison, Greyfriars Kirkyard

The tomb of the man largely responsible for these terrible events sits just a few yards away. Sir George Mackenzie (1636-1691), later known as “Bloody Mackenzie” for obvious reasons, now rests in a rather grand, if slightly overgrown monument, designed by famous Scottish architect James Smith.

The tomb of "Bloody" MacKenzie

The tomb of “Bloody” Mackenzie

I say that he rest there, but in fact recent reports of ghostly events near the tomb suggest that Mackenzie is not resting at all, with hundreds of unexplained events in the graveyard in recent years being blamed on his malevolent spirit. If you really want to be creeped out, then ghost tours of the Kirkyard are held every evening. Check it out, if you dare…

A Memento Mori in Greyfriars Kirkyard

A Memento Mori in Greyfriars Kirkyard

Curious, West Norwood Cemetery

Posted in Art, Cemetery, Crypt, Landscape, London, Photography with tags , , , , , , , , on July 30, 2013 by mysearchformagic

With its meandering paths, overgrown graves and delapidated but still imposing mausoleums, West Norwood Cemetery definitely has an air of magic about it. But in recent weeks the historic graveyard has been even more magical than usual, thanks to a large scale art exhibition/installation appropriately named Curious. Featuring a long list of contemporary artists, the works of art on display are site specific, interacting with the cemetery and often taking their inspiration from their unusual location.

A details from A Question of Archival Authority, Jane Wildgoose

A detail from A Question of Archival Authority, Jane Wildgoose

Jane Wildgoose’s installation A Question of Archival Authority was the first piece that I discovered on my visit last weekend. Situated inside the grand Maddick Mausoleum, Wildgoose’s use of antique mourning jewellery and flickering candles created a wonderfully gothic atmoshere, effectively evoking many questions about the practise and process of mourning and remembrance.

Jane Ward's contribution to Curious at West Norwood Cemetery

Jane Ward’s contribution to Curious at West Norwood Cemetery

Many of the works which appeared as part of Curious were paintings or collages placed within the doorwarys of the Victorian sepulchres. Some were bold and bright, others more calm and mysterious.

A work by Ian McCaughrean in the Greek Section of West Norwood Cemetery

A work by Ian McCaughrean in the Greek Section of West Norwood Cemetery

Despite my best efforts, and the help of a specially commissioned map created for the exhibition, I didn’t manage to locate all of the works on show. However, the thrill of trudging through the undergrowth, discovering incredible monuments and gravestones along the way, was all part of this unique experience.

Andrea Thoma's installation Steps/washed over in West Norwood Cemetery

Andrea Thoma’s installation Steps/washed over in West Norwood Cemetery

I fell in love with West Norwood Cemetery. Apparently a set of huge catacombs can still be found beneath the hill at the top of the graveyard, but these are rarely open to the public. I was also impressed with the range of artworks included in Curious, many of which encouraged new ways of looking at the cemetery, its monuments and its ‘residents’.

I Miss U by Lucy Spanyol

I Miss U by Lucy Spanyol

Some of the most effective artworks were those which dealt directly with concepts of death and bereavement. Lucy Spanyol’s I Miss U, which placed an eye-catching banner of artificial flowers in front of a coppice filled with ruinous grave monuments, was definitely a favourite of mine. Its use of informal ‘text speak’ and colourful floral garlands to relay a message filled with the despair of loss was moving and quite beautiful.

Unfortunately I discovered Curious on its final day, so the works of art are now long gone, existing just as photographs or in the memories of the visitors who managed to catch this wonderful, magical event.